I’ve recorded and edited Foley for documentary projects for six years, replacing scratch audio with clean, natural sounds that make scenes feel present and authentic. The goal is to provide you with a bed of realistic ambience and specific Foley effects that match your footage without drawing attention to themselves. For this service, I will create a custom set of sounds based on your project’s setting and action. You might need the subtle rustle of clothing in an interview, the specific clatter of dishes in a kitchen scene, or the distant traffic and bird calls for an exterior establishing shot. I record most elements myself in a treated space using high-end condenser mics and props, then edit and process them to sit perfectly in a mix. You receive all raw edited clips as 24-bit 48kHz WAV files, organized by scene or sound type. I also provide mixed stereo ambience beds in AIFF format and a quick-reference MP3 folder. The process starts with you sharing a clip or describing the scene; I then propose a list of sounds to build out the sonic environment. This is practical audio work that solves common post-production problems like inconsistent location audio or missing background texture. It helps your film maintain a consistent and believable soundscape from scene to scene.